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Home - Projects - Design - Products - The Vitturi Chair by ZAZA MAIZON: A Dialogue Between Saudi Elegance and Italian Craftsmanship

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The Vitturi Chair by ZAZA MAIZON: A Dialogue Between Saudi Elegance and Italian Craftsmanship

Last updated: November 7, 2025 7:05 am
Isha Chaudhary
Isha Chaudhary
ByIsha Chaudhary
Isha Chaudhary is an architecture writer who follows and writes about current trends and emerging discussions in architecture, with a focus on design, technology, and place-making.
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The Vitturi Chair
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The Vitturi Chair by ZAZA MAIZON, designed by Saudi designer Abdulaziz Khalid Al Tayyash, stands as an emblem of cross-cultural design, a meeting point between Saudi symbolism and Italian craftsmanship. The Vitturi is a sculptural interpretation of movement, culture, and materiality.

Contents
  • Design Philosophy of the Vitturi Chair
  • The Essence of Vitturi
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Design Philosophy of the Vitturi Chair

Inspiration lies in the shemagh (شماغ, pronounced /ʃɪˈmɑːɡ/), the traditional Saudi headcloth, whose flowing folds and rhythmic gestures have long symbolized identity and refinement in Arab culture. Rather than merely replicating the fabric, the designer translates its kinetic energy, particularly the expressive gesture known as nasfa (نسفة, pronounced /ˈnas.fa/), the swift, effortless flick used to adjust the shemagh into a series of mirrored metal curves. These continuous reflections interact with light and motion, transforming the symbolic into the sculptural.

The Vitturi Chair

The Vitturi Chair is designed to capture the vitality of movement, where each curve flows into the next, echoing the shemagh’s rhythmic folds.

The Vitturi Chair

This equilibrium stems from Al Tayyash’s design philosophy, uniting Saudi Arabia’s poetic expressiveness with Italy’s legacy of artisanal precision. From Saudi culture, it borrows symbolism, grace, and rhythm. From Italy, it inherits mastery of execution, immaculate detailing, and technical excellence. Together, these dual influences fuse into a creation that transcends borders, redefining contemporary collectible design.

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Material and Craftsmanship

The Vitturi Chair

The Vitturi Chair is meticulously handcrafted from high-quality 304 stainless steel, a material prized for its corrosion resistance and lasting brilliance. The piece features a mirror-polished finish, producing a reflective surface that engages dynamically with surrounding light. This mirror quality doesn’t merely serve aesthetic ends; it amplifies the dialogue between object and environment, making each viewing experience unique.

The Vitturi Chair

With a material thickness of 4–6 millimeters, the structure achieves both visual lightness and physical stability. Measuring approximately 100 cm in width, 70 cm in depth, and 130 cm in height, and weighing around 120 kilograms, the Vitturi Chair stands as a solid yet fluid presence. Every edge, curve, and junction is refined through meticulous craftsmanship, transforming stainless steel from a utilitarian medium into an expressive sculptural form.

The Vitturi Chair

A Limited Edition Collectible

Each Vitturi Chair is handcrafted as a limited or single-edition design piece, distinguishing it from mass-produced furniture. This exclusivity situates it within the realm of collectible art and contemporary design, offering both aesthetic and symbolic value. Its commanding form makes it suitable for private galleries, hotel lobbies, and luxury interiors, where it functions as both an artwork and a statement of cultural synthesis.

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The Vitturi Chair

The Essence of Vitturi

In its essence, the Vitturi Chair embodies a conversation between tradition and innovation. It reimagines a deeply local symbol within a global design vocabulary, treating material as emotion and craftsmanship as narrative.

The Vitturi Chair
TAGGED:contemporary designItalian CraftsmanshipMilanSaudi ArabiaVitturi ChairZAZA MAIZON
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ByIsha Chaudhary
Isha Chaudhary is an architecture writer who follows and writes about current trends and emerging discussions in architecture, with a focus on design, technology, and place-making.
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